Dates
March 22, 2025 at 8:00 PM
Venue
Knight Concert Hall
Run Time
TBD
Parental Guide
Ages 8+
Price
$40 - $176
National Symphony Orchestra
Gianandrea Noseda, music director
Hilary Hahn, violin
Program:
SIMON Four Black American Dances
KORNGOLD Violin Concerto
BEETHOVEN Symphony No. 5
The National Symphony Orchestra and its nearly 100 musicians are coming to the Arsht Center for the first time. Led by Milan-born music director Gianandrea Noseda and based at the Kennedy Center in Washington, D.C., “one of the hardest-working orchestras in the biz” (The Washington Post) is known for its “exhilarating performances” (The New York Times). The Economist proclaimed that “the Italian maestro and the NSO make magic.”
For added dazzle, Hilary Hahn, three-time Grammy winner and Musical America’s 2023 “Artist of the Year,” joins them in Miami. Her performances with Noseda and the NSO are already legendary, and have been described as “unleashing epic cinematic sweep” (Washington Classical Review) with “tempering feats of acrobatic virtuosity with stretches of extreme vulnerability” (The Washington Post).
Don’t miss the “stunning richness and depth” (The Washington Post) of one of our nation’s most celebrated cultural ambassadors in their Knight Concert Hall debut.
PRESHOW CLASSICAL CONVERSATIONS
One hour prior to this performance, join us in the Peacock Education Center for Classical Conversations, an exciting, behind-the scenes look at the musicians, composers and history of what the audience will hear during the concert.
SAVE ON KNIGHT MASTERWORKS CLASSICAL MUSIC
Share your love of classical music with the child in your life! Use promo code KMBOGO for a free child ticket with the purchase of a full-price ticket. Child ticket valid for ages 8-18. BOGO tickets will be held at will call. Valid photo or student ID necessary for high school age children.
Tickets
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Promo for Screen Reader
-
Saturday, March 22, 2025 8:00 PM
Available
The Washington Post“Noseda guided the orchestra through bold surges of color and hushed shadings with an uncanny mix of elegance and gusto.”
The New York TimesHilary Hahn plays with a “golden age richness and astonishing technique that have long made her a standout.”
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